This chibi comic, like pretty much everything else I've posted this week- or this month for that matter, is not finished. It's an outline, showing the line of action, how I want the story to play out.
Everyone likes a good punch line. But why? Like every good punch, it has something behind it. Set up is important, almost, and maybe is, more important than that goody punch line.
This Chibi Comic runs only one page like most of my chibi comics. The shorter a story is the stronger the need to figure out how to get the reader's to 'get it.'
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib_yJgWjqqUa-XJoyBNTA9hsbiRwdM57J3NkT5WAco9Orp-w2pfAhfkaLPKbXj6P89_NrVI0QiHNde8tlM9DnoejwG9x5IMCaGWfkXIvQ94U7N0r0jjw9HsiV8ZV-hbjzXQmhZQ0J5HidV/s640/5acb01e453dc452eaa3f0416a4933df4.jpg)
My plan had five drawings, but I was able to take the same concept and turn it into four. The artist of the 'my-four-paneled-life' comics is amazing at this, and she is part of my inspiration to make things clearer and more concise.
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